Wednesday, 28 March 2012
Sunday, 25 March 2012
Bath
Readers of Jane Austen might be interested to learn that Bath, a popular vacation spot for 18th century British gentry, has actually been populated since the Iron Age. It is the site of natural hot, sulfurous springs and the Romans built a lavish bathhouse there in the 1st century. It is also home to the magnificent Bath Abbey, built in the 10th century. Today, it is still a major vacation destination, bustling with shops and museums. The city and surrounding countryside are both charming.
Front of Bath Abbey.
Close-up of the ladder with angels on Bath Abbey.
Roman Baths.
The water in the Roman baths is untreated so only the ducks get to bathe there. Humans can go to one of the many spas in town.
Source of the hot water spring.
It's difficult to see in the picture, but the water is steaming.
What remains of the facade of the temple to Minerva that was part of the bath complex. This facade is an unusual mixture of Roman and Celtic motifs. It is also one of the few Roman antiquities in England that is not imported from elsewhere.
Bath pigs decorated by various artists all around the city. Why pigs? Perhaps because of the tradition of pig farming in the area.
City green space. The whole city just invites relaxation!
Table and chairs at a cafe called "The Mad Hatter's Tea Party"
Stonehenge
I was excited to see Stonehenge and it did not disappoint; in person, it was every bit as majestic as I had hoped. The site is located in a rural area at the intersection of two single-lane roads with no buildings in sight - only sheep and mysterious burial mounds that looks small, artificial hills (many ancient graves have been discovered in the vicinity of Stonehenge). You are not permitted to approach, but may walk 360 degrees around the monument. I went a little overboard taking pictures of the rocks, but you probably have seen enough generic photographs of Stonehenge. So here are just a few pictures of us taken from various angles.
Windsor Castle
Windsor Castle was built by William the Conqueror in the 11th century as one of several fortifications ringing London at a distance of about 20 miles (equivalent to one day's march). For nearly a millennium, it has served as living quarters for the British royals. Queen Elizabeth II, for example, spends her weeks at Buckingham Palace but her weekends at Windsor.
A large fire in 1992 destroyed several of the important public rooms - most of them part of the state apartments lavishly decorated in the 19th century by the various King George's. As luck would have it, the crown found a way to raise funds to repair the damage: charging admission to tourists.
Unfortunately, we were not allowed to take pictures inside the castle. The photos taken outdoors are from my camera, but those taken inside were swiped from the internet.
A large fire in 1992 destroyed several of the important public rooms - most of them part of the state apartments lavishly decorated in the 19th century by the various King George's. As luck would have it, the crown found a way to raise funds to repair the damage: charging admission to tourists.
Unfortunately, we were not allowed to take pictures inside the castle. The photos taken outdoors are from my camera, but those taken inside were swiped from the internet.
Aerial view of the castle. (Shh....I didn't take this picture either.)
The exterior of the castle looms over the town of Windsor.
The round tower, which flies a flag when the Queen is in residence, is surrounded by beautiful cascading gardens.
Another view of the castle grounds. To the right is St. George's Chapel, ca. 1475.
A detail on St. George's chapel.
Knight's Hall
Note all the coats-of-armor on the ceiling; they are all numbered and catalogued.
What the knight's hall looks like for formal dinners.
Red Drawing Room (restored after fire)
Green Drawing Room (restored after fire)
Queen Mary's Dollhouse
Apparently, Queen Mary, wife of King George V, was one of history's most avid collectors of miniatures. Her early 20th century dollhouse was designed to look thoroughly modern including a garage for the vehicles and a vacuum cleaner. Leora, you should see this when you come visit! Here are some pics:
Exterior
Library
Garage
Dining Room
Sunday, 18 March 2012
Triplé Bridge Triplé Doublé Bus
The title of this post is for Danny and Jonah especially. In order from closest to farthest, Southward Bridge, London Bridge, Tower Bridge. (Yes, London Bridge is quite boring looking. The iconic bridge across the Thames is Tower Bridge.) Going across London Bridge are three double-decker buses.
Training for Cab Drivers
London, it turns out, has particularly exacting standards for its cab drivers. Aside from high ethical standards (a criminal background can disqualify you from becoming a cabbie), drivers must know the streets and major landmarks like the backs of their hands. To pass their qualifying exam, potential cabbies must be able to identify
the shortest or most reasonable route between any two points in London, identifying every cross-street and major building or address along the way. To learn the city, prospective cab drivers (called "Knowledge Boys") scoot around on little mopeds with maps of the city. We have seen a number of them out studying, though at first we didn't understand what we were seeing. Here's one we saw today who has paused to consult the "London A to Z" - the same atlas we use to get around.
St. Paul's
St. Paul's is the absolutely enormous cathedral in the heart of London, designed by architect Christopher Wren. Wren designed many of the iconic buildings in London after the great fire of 1666 (before then, London buildings were mostly of wood). Happily, Wren worked in stone and, despite other fires, many of his buildings are historic landmarks today.
We were not allowed to take pictures in the building, but here's one shot of the exterior. Mind you, this is a modest side-view:
Prior to visiting St. Paul's, I knew of it only from the movie Mary Poppins. I was pleased to see that feeding pigeons on the steps of the church continues today, though I did not see a woman selling birdseed for tuppence-a-bag.
We were not allowed to take pictures in the building, but here's one shot of the exterior. Mind you, this is a modest side-view:
Prior to visiting St. Paul's, I knew of it only from the movie Mary Poppins. I was pleased to see that feeding pigeons on the steps of the church continues today, though I did not see a woman selling birdseed for tuppence-a-bag.
Guildhall Art Gallery
Our last stop today was the Guildhall Art Gallery. One of the most interesting parts of the museum, however, was not the art but the ancient Roman amphitheater in the basement. Scholars had long suspected that Roman-era London ("Londinium") had its own amphitheater, but there was no archaeological evidence until 1988 when the site was excavated in advance of the construction of the museum. Now, the remains of that amphitheater are part of the exhibit. There isn't much to see in the way of ruins (a few piles of rubble), but I was amazed at the exhibit design which allows you to imagine what the amphitheater might have looked like while showing you exactly what remains.
The Golden Hind
Most will remember that in the late 16th century, Sir Francis Drake circumcized circumscribed the globe in his fifty foot clipper ship. The name of that ship was the Golden Hind and it's tethered on the south bank of the Thames, near the London Bridge underground station. For those who haven't recently been reading arcane English translations of Song of Songs, a hind is a doe.
Tate Modern
Making the rounds of London's free museums, we hit two today. The first was the Tate Modern which is housed in a former factory on the south bank of the Thames:
Inside looks pretty much like a factory, too, except that a huge amount of the space is empty. I don't want to know what their annual heating costs are:
A slightly more cheerful and lively part of the museum:
Since I don't find modern art reliably attractive or even comprehensible, I find a good tour guide is essential for a modern art museum. We went on two tours.
Paul Delvaux's Sleeping Venus was painted in 1944 in Brussels while the city was being bombed by Germany. He later explained that the goals was to express the anguish of the moment. He chose a sleeping Venus as the subject because it formed such a stark contrast with that anguish, making the painting all the more poignant. When this painting was exhibited in 1946 in NYC, it was deemed obscene by the US government and seized.
Salvador Dali's Mountain Lake (1938) depicts a lake that Dali's parents used to visit to find comfort after the death of their first child (who was also named Salvador). The lake is shaped like a fish. Interestingly, in this photo of the painting, it looks more like a fish than a lake. But in the museum, where the colors appeared much darker, it looked more like a lake than a fish. The disconnected phone hanging in the foreground apparently alludes to the negotiations between Chamberlain and Hitler over the German annexation of the Sudetenland.
Max Ernst's Forest and Dove, 1927, depicts the artist as a bird trapped in a simultaneously enchanting and menacing forest. Apparently, Max Ernst pioneered three painting techniques: frottage, grattage, and decalomania. Frottage is the fancy word for the technique used in pencil rubbings. Grattage is the technique of layering paint thickly and then scraping away top layers to reveal colors underneath (essentially what we called "scratch art" in grade school). Decalomania is the technique of blobbing ink on a paper and then folding the paper in half to create two symmetrical blobs. I'm proud to say that I mastered all three techniques in nursery school. What a prodigy!
Henri Matisse's Portrait of Greta Moll, 1908. I'm guessing I like Matisse so much because I grew up south of Baltimore, home to the fabulous Cone Collection.
Bridget Riley is an artist who experiments with optical illusion. This painting is simply a series of black-and-white wavy lines. But the experience of looking at it (warning: may induce a headache) is difficult to explain. To begin, the lines simply will not hold still. They vibrate, no matter how hard one tries to hold them still nor how long you look. In addition, in the presence of the original painting, one has the illusion of color in the apparent troughs of the waves. The painting is entitled "Fall" and was completed in 1963.
Inside looks pretty much like a factory, too, except that a huge amount of the space is empty. I don't want to know what their annual heating costs are:
A slightly more cheerful and lively part of the museum:
Since I don't find modern art reliably attractive or even comprehensible, I find a good tour guide is essential for a modern art museum. We went on two tours.
TOUR 1: SURREALISM
Paul Delvaux's Sleeping Venus was painted in 1944 in Brussels while the city was being bombed by Germany. He later explained that the goals was to express the anguish of the moment. He chose a sleeping Venus as the subject because it formed such a stark contrast with that anguish, making the painting all the more poignant. When this painting was exhibited in 1946 in NYC, it was deemed obscene by the US government and seized.
Salvador Dali's Mountain Lake (1938) depicts a lake that Dali's parents used to visit to find comfort after the death of their first child (who was also named Salvador). The lake is shaped like a fish. Interestingly, in this photo of the painting, it looks more like a fish than a lake. But in the museum, where the colors appeared much darker, it looked more like a lake than a fish. The disconnected phone hanging in the foreground apparently alludes to the negotiations between Chamberlain and Hitler over the German annexation of the Sudetenland.
Max Ernst's Forest and Dove, 1927, depicts the artist as a bird trapped in a simultaneously enchanting and menacing forest. Apparently, Max Ernst pioneered three painting techniques: frottage, grattage, and decalomania. Frottage is the fancy word for the technique used in pencil rubbings. Grattage is the technique of layering paint thickly and then scraping away top layers to reveal colors underneath (essentially what we called "scratch art" in grade school). Decalomania is the technique of blobbing ink on a paper and then folding the paper in half to create two symmetrical blobs. I'm proud to say that I mastered all three techniques in nursery school. What a prodigy!
TOUR 2: MUSEUM HIGHLIGHTS
Henri Matisse's Portrait of Greta Moll, 1908. I'm guessing I like Matisse so much because I grew up south of Baltimore, home to the fabulous Cone Collection.
Bridget Riley is an artist who experiments with optical illusion. This painting is simply a series of black-and-white wavy lines. But the experience of looking at it (warning: may induce a headache) is difficult to explain. To begin, the lines simply will not hold still. They vibrate, no matter how hard one tries to hold them still nor how long you look. In addition, in the presence of the original painting, one has the illusion of color in the apparent troughs of the waves. The painting is entitled "Fall" and was completed in 1963.
Wednesday, 14 March 2012
Why I am Leaving the Empire (by Darth Vader)
British spoof on today's New York Times piece by the resigning Goldman Sachs exec:
http://www.thedailymash.co.uk/news/society/why-i-am-leaving-the-empire%2c-by-darth-vader-201203145007/
http://www.thedailymash.co.uk/news/society/why-i-am-leaving-the-empire%2c-by-darth-vader-201203145007/
Who gives better advice?
Departing again from the topic of this blog, something very interesting happened today on the interwebs. Amy
Dickinson and Carolyn Hax, two of the most widely-read advice
columnists in the U.S., answered the *same* letter today from "Cold
Feet." I've never seen that before! Which answer do you like better?
(Scroll down in the Amy column; it's the second letter.) Oh, and happy pi day!
Ask Amy:
http://www.chicagotribune.com/ features/tribu/askamy/ ct-ae-0313-amy-20120313,0,54933 81.column?page=2
Carolyn Hax:
http://www.washingtonpost.com/ lifestyle/style/ carolyn-hax-dealing-with-a-fian ces-past-present-future/2012/ 02/29/gIQAprKEAS_story.html
Friday, 9 March 2012
Archival Complaints 1 (of many, too)
One does not need to shout when asking the archivist a question....
Thursday, 8 March 2012
Paleographical complaints 1 (of many)
Why the hell does the "s" in any number of Tudor documents look just like an "o"?
Wednesday, 7 March 2012
Operation Mould-Be-Gone
Due to an unfortunate mould infestation in our apartment (when in Britain, spell as the Brits?), our landlord agreed to replace our mattress. We spent a lot of time cleaning absolutely everything in the apartment to prepare for its arrival. Here are some snaps from the last few hours of the process.
Cleaning in and around the bedframe.
Break for delicious candle-lit dinner. We really needed it!
Mordu cooked a fabulous mushroom and asparagus risotto, served with veggie schnitzle and a green salad.
Cleaning window frames and windows.
Some are difficult to reach...
...but now they sparkle.
And our last task was to unwrap this baby and fall into it.
!לילה טוב / Good night!
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